No Longer at Ease

by Chinua Achebe

KSh 500

The second book in Achebe’s “African trilogy”: A classic story of personal and moral struggle as well as turbulent social conflict.

When Obi Okonkwo—grandson of Okonkwo, the main character in Things Fall Apart—returns to Nigeria from England in the 1950s, his foreign education separates him from his African roots. He’s becoming a part of a ruling elite whose corruption he finds repugnant. Forced to choose between traditional values and the demands of a changing world, he finds himself trapped between the expectations of his family, his village, and the larger society around him. With unequaled clarity and poignancy, Chinua Achebe’s No Longer at Ease remains a brilliant statement of the challenges facing Nigeria today.

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Description

Author: Chinua Achebe
ISBN:
Country: Nigeria
Publisher: East African Educational Publishers
Size (mm): 128 x 196 x 22
Pages: 240
Format: Paperback
Colour: Black & White
Weight 181 grams
Language: English
Publication Date:
  1. Rated 5 out of 5

    jake li

    Achebe’s language is Hemingway.

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Chinua Achebe

Chinua Achebe was a novelist, poet, professor at Brown University and critic. He is best known for his first novel, Things Fall Apart (1958), which is the most widely read book in modern African literature. Raised by Christian parents in the Igbo town of Ogidi in southeastern Nigeria, Achebe excelled at school and won a scholarship for undergraduate studies. He became fascinated with world religions and traditional African cultures, and began writing stories as a university student. After graduation, he worked for the Nigerian Broadcasting Service and soon moved to the metropolis of Lagos. He gained worldwide attention for Things Fall Apart in the late 1950s; his later novels include No Longer at Ease (1960), Arrow of God (1964), A Man of the People (1966), and Anthills of the Savannah (1987). Achebe writes his novels in English and has defended the use of English, a “language of colonizers”, in African literature. In 1975, his lecture An Image of Africa: Racism in Conrad’s “Heart of Darkness” became the focus of controversy, for its criticism of Joseph Conrad as “a bloody racist”.